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We normally like to include translation subtitles. But in this case, Toura Toura is untranslatable. It is sung in “Bambara" which, in Moroccan Gnawa culture, has evolved to be a mixture of several sub-Saharan African languages, but is presently spoken or understood by no-one.
In present-day Mali, there are about 15 million people who speak “Bambara”, but they speak a very different Bambara than the one that we find in Moroccan Gnawa songs. In the early days of Gnawa, i.e. the early days of slavery in Morocco, slaves would find ways to sing songs in their native language in locations where they might be heard by a relative or loved one, from whom they’ve been separated, in hopes of reuniting with them. The Amazigh (indigenous) and Arab populations of Morocco didn’t understand these languages. The Amazigh word for “gibberish” or “unintelligible” is “agnaw” (singular) “gnawa” (plural). This is the commonly accepted story of how the term first came in use. Over time, these different ‘unintelligible’ songs fused more and more into one shared history - one of forced displacement and spiritual yearning. There came a time when the song lyrics became completely unintelligible to the Gnawa musicians who inherited them via the oral tradition. That mostly unintelligible hodgepodge of a language is what Gnawa refer to as “Bambara”. For decades, possibly centuries, Gnawa musicians sang in Bambara, understanding less and less of the literal meaning of the words. But as Gnawa musicians became more and more integrated into a Moroccan society which identified more and more as Arab and Muslim, they evolved more and more into a Muslim (Sufi) order. Eventually (in the 20th century), Gnawa musicians began to replace more and more of the song lyrics with Arabic / Sufi devotional lyrics.
Having said that, we can provide a glimpse into the spirit of Toura Toura, in addition to what is already transmitted simply by listening to the music itself.
All Gnawa music has a role to fulfill in the healing ritual called the “Lila” which means “Night” in Arabic. A “lila” can last for more than 12 hours, and is usually conducted in intimate gatherings, for the purpose of creating a safe place for people to get into a trance and be healed by the music. A woman serves as a presenter (or M.C.) - she is called the “Mqedma” - which means "she who presents." A man serves as spiritual guide (through music) - he is called the “m3allem” or “master” and sings lead vocals while playing the guembri (or sintir, or hajhouj, or gogo, depending on where you are). Several other men play the rhythm section (with qraqeb) and sing the ‘responses’. The lila usually follows the following format:
1) DbiHa (sacrificing a lamb) - like in the Muslim “3id”, this is a commemoration of the biblical story when Abraham was tested by God to sacrifice his own son.
2) Al 3ada (the habit) - an opening that consecrates the space - usually starting with a drum procession and some acrobatics. This welcomes the spirits into the space.
3) Ouled Bambara (the sons of Bambara) - before diving into the world of spirits, there is a profane section of the evening, to loosen things up. Today, this is where you’ll find most of the songs sung in Bambara.
Toura Toura falls in this section - so it is light-hearted, meant to be a warm-up song, to get you in a joyful mood before the more intense world of trance comes around.
4) The 7 colors (each corresponding to a different spirit)
The “Mqedma” signals the beginning of each color by coming out in a different dress (matching the spirit color) - the musicians play several songs (sometimes hours) for each of the colors:
• White (truth, belief, happiness)
• Black (mystery, paradoxical power - secrecy / protection)
• Light Blue (skies, calming, elevation)
• Red (fire, passion, love)
• Dark blue (the sea, depth, fluidity)
• Green (nature’s healing power, rejuvenation)
• Saffron (feminine energy, fertility)
- - - - - - - - - - - - - - - -
For more on the Gnawa lila, check out these articles:
• http://www.sonispheric.net/the...._gnawa_and_their_lil
• http://www.lilagnaoua.com/En/history.html
For a more in-depth explanation of the gnawa history and context, check out this great article:
• http://www.afropop.org/9305/fe....ature-gnawa-music-of
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Money Palaver
℗ 2020 Emeka Morocco Maduka / Sammy Sparkle All Stars
Released on: 2020-07-06
Auto-generated by YouTube.
Marrakech Lounge - Oriental And Indian Chillout Beats From Morocco To Bombay (Continuous Arab Mix)
chillout lounge music, relaxing music, chill out, chillout, Lounge Music, buddha bar, holidays, cafe del mar, ibiza lounge music, smooth jazz, erotic music, budda bar
Music of Morocco : Andalusian Dream
Musique du Maroc: Rêve Andalou
Música de Marruecos: El Sueño Andaluz
موسيقى المغرب: الحلم الأندلسي
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Mehdi Fadili - Mriyech (EXCLUSIVE Music Video) | 2023
مهدي فاضيلي - مريش (فيديو كليب) | 2023
ARTIST
MEHDI FADILI
@Mehdifadiliofficiel
MUSIC
Written, Composed, Arranged at @Sevenmenstudio (Marrakech)
by @Tizafmohcine
Recorded by @lwindofficiel at @Redpalmstudio_marrakech (Marrakech)
VIDEO CLIP
Directed by @Kawtar_tarhzaoui_director
Dop @Hamzaatifi
Ad @Chaimaa_hnaynouch
Color grade @colorist_Akash
Logistics @Mohamed_bendellah
PRODUCTION & MANAGEMENT
Produced by @2bee_entertainment
Project manager @Ahmed.o.balubaid
Artist Manager @Bassimbendell
MUSICIANS
Guitar and Bass by @Amine_jabory
Piano and Keyboard Music by @Elmnaouarkhalid / @Omar_lmrini_claviste
at @Sevenmenstudio (Marrakech)
BACKING VOICES
Singing by @Uae.choir
Recorded by @Alialameer.music at @Alwatanstudio (Dubaï)
Mixing and Mastering by @Alialameer.music
at @Alwatanstudio (Dubaï)
Digital Distribution : Qanawat Music
_____
Lyrics | كلمات الأغنية
INTRO :
- ماني ماني ماني
- ماني ماني ماني
VERSE : X2
- يلزمني اللي يعرف يحب وي يقدر الغرام
- مايلزمنيش اللي يكذب واللي طمع فيا
- كيعجبني اللي يجيني كود وي يلخص الكلام
- ما نرتح مع اللي يخوني ويمثل عليا
CHORAL :
- اللي يطمع برة
- اللي يكذب برة
- اللي يمتل و يخون
- سد عليه الباب فمرة
PRÉ CHORUS :
- فيلمك سلا سلا
- حبك انتي بلبلا
- او لسانك گلا گلا
- و غير فيقي من النوم
- وانا ونا غلي غلا
- ماتبقيشي عوالة
- وختاري من الرجالة
- اللي يعجبك فالكون
CHORUS :
- مريش
- عندو الفلوس
- ولد امو
- ما يگولش لااااا
- مريش
- عندو الفلوس
- ولد امو
- ما يتفلا
HOOK :
- ماني ماني
- ماني X4
VERSE :
يلزمني اللي يعرف يصون العشرة و يكون تمام
ماليزمنيش اللي يكذب و هو عينو فيا
كيعجبني اللي يجيني كود و وبيفهم الكلام
ما نرتح مع اللي يخوني ويمثل عليا
CHORAL :
- وا زين وا عيق
- كلشي بالماني
- وا سي وا عيق
- كلشي بالماني
PRÉ CHORUS :
- فيلمك سلا سلا
- حبك انتي بلبلا
- او لسانك گلا گلا
- و غير فيقي من النوم
- وانا ونا غلي غلا
- ماتبقيشي عوالة
- وختاري من الرجالة
- اللي يعجبك فالكون
CHORUS :
- مريش
- عندو الفلوس
- ولد امو
- ما يگولش لااااا
- مريش
- عندو الفلوس
- ولد امو
- ما يتفلا
BRIDGE :
- تعشق البراني
- كي تشوف الماني تنساني
- بالي منها هاني
- قولولها غير تنسى
HOOK :
- ماني ماني
- ماني X4
____
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#mriyech
#مهدي_فاضيلي
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Marrakesh, the cultural capital of Morocco, is a city that offers an abundance of cultural experiences, from traditional music and dance to unique customs and rituals. In this SEO post, we will explore the rich cultural heritage of Marrakesh, including its music, people, traditions, and rituals.Music is an integral part of Moroccan culture, and Marrakesh is no exception. The city is famous for its diverse musical styles, which range from traditional Gnawa music to Andalusian classical music. Gnawa music is a unique blend of African, Arabic, and Berber influences, and it is characterized by its use of a three-stringed bass, the guembri, and a metal castanet-like instrument, the qraqeb. Andalusian music, on the other hand, is an Arab-Andalusian musical tradition that originated in medieval Andalusia, Spain. It is characterized by its use of oud, violin, and flute and is often accompanied by poetry readings. Marrakesh has a rich history of traditional arts and crafts, which are passed down through the generations. Some of the most famous Marrakesh traditions include pottery, metalwork, weaving, and embroidery. The city's artisans are skilled in creating beautiful pieces that are often sold in the souks. Traditional clothing is also an important part of Marrakesh culture. Women wear brightly colored kaftans, while men often wear djellabas, long robes that keep them cool in the hot desert climate.
© Cafe De Anatolia ETHNO WORLD
CRAVATA - Habibi | (Exclusive music video 2023) | كرافاطا - حبيبي
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Cravata - كرافاطا is a talented Moroccan artist who has gained popularity for his unique style of music that blends traditional Moroccan music with contemporary sounds.
His music is characterized by a fusion of different genres and styles, including Chaabi, Reggae, and Hip-Hop.
His energetic performances and catchy melodies have captivated audiences both in Morocco and internationally.
Composition: Salim Cravata
Direction by: Kawatar Tarhzaoui
Arrangement: Achraf Bensfia
Distributed by DigiSay
#Cravata #Habibi
#كرافاطا #حبيبي
______
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Ssc Music Presents " LOVE " excerpt from AFROBOY by Kouz1
Available on streaming:
https://bfan.link/AFROBOY
Production by SSC Music
Directed by Millimaitre
Gradded & effect By Idrissi
Hair dresser by : obarber by souka
Photographer : Oussama boulaich
Beat by thasoundz
logistic by le_chkaws
Makeup Artist Katia Blooms
Recorded, Mastered at SSC Music Studio
Cast by Lose Mamory | Angel Energy | Shasta Diagne | Melanin | Alison B
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SSC Music 2023© Copyright. All rights reserved.
إشترك في قناتنا
إستمع إلي "ديستانكت - تك تك مع م اش د" من خلال هذه القنوات
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Listen to ‘DYSTINCT – Tek Tek ft. MHD (prod. YAM & Unleaded)' in the link below.
★ http://avalonmusic.lnk.to/TekTek
★ DYSTINCT
• https://www.instagram.com/dystinct1
• https://www.tiktok.com/@dystinctofficial
★ MHD
• https://www.instagram.com/mhdofficiel
★ YAM
• https://www.instagram.com/yammusic
★ Unleaded
• https://www.instagram.com/unleadedofficial
Latest Releases: https://bit.ly/avalonmusicplaylist
Lyrics: Iliass Mansouri, Mbarek Nouali, Mohamed Sylla
Music: Joao Lima Pinto, Yassine Alaoui Mdaghri, Iliass Mansouri
Bad Flavor presents
Director: Caio Silva
Producer: Simon Dibandjo
Producer assistent: Luca Nicolas
D.O.P: Tobias van Daal
Focus puller: Daryl Gruijters
Editor: Caio Silva
Gaffer: Jean Roquand
Bestboy: Maud Lerestif
Bestboy: Max Lecordier
Styling: ERBÉ: Bryan Richards & Antoine Blumberg
Casting: Eya Ayari & Sonny Donne
Grading: Jacob Creach
VFX: Becanti Wijnbergh
Sounddesign: YAM
Photography: Faka
Timelapse: Fons de Haan & Najib Samatar
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[LYRICS]:
Ana chaftek
Hadi simana
Galbi tek tek
B7al chi magana
Wayli wayli hadi hablatni ya mama
Wayli wayli rani ça va pas
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
Baynek o bayni
Sahrana 3ini
Zinha nari stani
Ya lala 3ini fik
Ooh mon cœur est à toi bébé
Ooh wa nari heblatni
Ana chaftek
Hadi simana
Galbi tek tek
B7al chi magana
Wayli wayli hadi hablatni ya mama
Wayli wayli rani ça va pas
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
Vite Vite, c'est quoi la suite, le temps il passe tic & tic
C'est toi qui me rend sick & sick
Tout les jours, every day, kiss & kiss
Je connais la zic & zic
Son coeur est noire comme l'océan
J'irai nager meme si j'ai pas pied
Palper, j'aurai le temps de palper
Bebe m'attend sur le cote
Elle m'attend sur le cote, bebe m'attend sur le cote
Plus sur les radars, pardon la je peux pas fauter
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
Tek tek tek tek tek tek aah
Tek tek tek tek b7al chi magana
#DYSTINCT #TekTek #MHD
© 2023 Avalon Music
Music of Morocco
Musique du Maroc
موسيقى مغربية
Música de Marreucos
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Playlist :
00:00 Mahassin. - Dada Hiyani Dada (Oh mama, Oh me)
05:11 Mohamed Rwicha - kindir hta nensak
11:52 Mahassin. - Alabas Alabas (How do you do ?) [Part.1]
15:57 Traditional - Amul Koutchi
21:34 Mahassin. - Alabas Alabas (How do you do ?) [Part.2]
25:15 Mahassin. - Lalla Fatima (Lady Fatima)
Mixed by : Hatim Belhouari
maroc, chaabi, morocoo, music, muziek, cheikaat, folkse dance
chaabi: morocco music
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Zouhair Bahaoui Ft. Hind Ziadi - Follow (EXCLUSIVE Music Video) | 2023
Composed & written by : Zouhair bahaoui / Bilal Africano
Arranged by : Bilal Africano
Directed By : Omar Elemrani
Digital Distribution : Qanawat Music
_____
Lyrics | كلمات الأغنية
Where you stay I will stay
When you move I will follow you
When you go I will follow you
Te Amo
Tiya9ti lhdra li gallou
Porque 7ayedti lia l follow
9albek Lyouma mallou
Amore ana li ghalet m3ak I am sorry
Warah binatna Hob ostori
La tkhelli 7ad inessik
Fiya
Wélli li nta f bali nhari w lili
Mi vida dalma nta tdawwili
Eli jay ana kanbghik
Te Amo
Te Amo ntaya mi amore
Te Amo
Te Amo ntaya Hob ostori
Te Amo Tiya9ti lhadra li gallou
Porque 7ayedti lia l follow (Follow)
9albek Lyouma mallou
X2
Malou
La la la la la la la la la la la
Amore m3ak ntaya sala ghourouri
Wjoudk f Hyati wella darouri
Rou7i w Dati ana nhdik
Ah domini
Hessi b notat lhob w Khoudini
L 3alam Tani ma chafto 3ini
Ma bin dra3i ana n7mik
Te Amo
Te Amo ntaya mi amore
Te Amo
Te Amo ntaya Hob ostori
Te Amo
Tiya9ti lhadra li gallou
Porque 7ayedti lia l follow (Follow)
9albek Lyouma mallou
X2
Malou
Machi 3adi
7odnek dafi houwa bladi
W gher nadi ya li tmenitk oum wladi
X2
Te Amo
Te Amo ntaya mi amore
Te Amo Te Amo
Te Amo ntaya hob ostori
Te Amo
Tiya9ti lhadra li gallou
Porque 7ayedti lia l follow (Follow)
9albek Lyouma mallou
X2
Maaalou
ـــــــــــــ
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OUALID YOUTUBE: https://www.youtube.com/channel/UCnQG...
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MUSIC
Artist: Oualid & Cravata
Lyrics: Oualid Rushdy, Selim Bennani & Mbarek Nouali
Produced by: Janno, YAM & Divenchi Music
VIDEO
Directed by : Kawtar Tarhzaoui
DOP : Kawtar Tarhzaoui
1st Ad : Yassine Touasalti
1st assistant Camera : Hamada Khalidi
2nd Ad : Idriss Ellouni
Gaffer : Mouafik Rachid
Makeup Artist : Amel Ahamdane
Photographer : Zouhair Ouardi
Editor : Kawtar Tarhzaoui
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PROVISOUND CHAABI
Moroccan Song Chaabi Wahiyani (EXCLUSIVE) FIEGTA
شعبي مغربي أغاني مغربية | فيجطا
00:00
Bienvenue sur la chaîne Provisound Officielle!
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Abonnez-vous à la page FACEBOOK içi : https://goo.gl/jQQTdq
#ProvisoundChaabi
Le chaabi marocain (arabe : شعبي) est un genre musical populaire arabe du Maroc. On le retrouve dans les plaines atlantiques majoritairement arabophones (Doukkala-Abda, Chaouia-Ouardigha, Gharb-Chrarda-Beni Hssen etc.) ainsi que dans le Moyen Atlas.
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Manal - Makhelaw Magalou (Official Music Video)
Listen « Makhelaw magalou » : https://Manal.lnk.to/Makhelawmagalou
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Directed by : Farid Malki
Co-Directed : Margot le Moel
Director of photography : Hamza Benmoussa
SteadiCam : Yassine Khamlich
Composer : Mounir Maarouf - Blaize Batisse
Lyrics : Manal - NYZK
Music Production : Moonchild Records
Producer : Bench And Guess Entertainment
Executive Production : Prod And Roll
Photographer : Psycho Moustache
Management : Anissa Jalab
SPECIAL THANKS :
TOOMORE LUXURY DATES
PATRICK AZUELOS
---------------------------------------------
Choreographer :
STEPH
Kids dancers:
Mamoun taleb
Chama Da Costa chaves
Lila Admi
Brahim ABDELJALIL
Yasmine Fassi Fihri
Adult girls dancers :
Inès Latorre
Maéva Marguerite
ART DIRECTOR
HANANE SAFIR
ASSISTANT DIRECTOR
SARA BENHADDOU
2ND ASSISTANT DIRECTOR
WADIE ERRAMI
FOCUS PULLER
MOUAILY MOHAMMED
2ND ASSISTANT CAMERA
CHOURAIBE MANANE
3RD ASSISTANT CAMERA
FAHD AFKER
BACK UP
FAHD AFKER
GAFFER
YOUSSEF MESNAOUI
ELECTRICIAN
SAID ATIF
KEY GRIP
NAOUFEL LAMKEALAL
GRIP
RACHID ZAYTAR
LOCATION MANAGER
EL MEHDI ZARRI
ASISSTANT MANAGER
HOUSSINE TAHRIR
ABDRAHIM KADIM
MAKE UP ARTIST
LOUBNA FALEH
MAKEUP ASSISTANT
HICHAM MAKHLOUFI
KHADIJA MOUADDINE
DECO TEAM
IKRAM MRAIBET
MOHAMED SELLAM KERHAT
ZOUHEIR SAFIR
MEHDI BOUNAJI
ALI ABJAOU
COSTUME STYLIST
AMAL BENAYAD
COSTUME ASSISTANT
WAFAA MARHRAOUI TZIRI
CASTING DIRECTOR
YASSINE TOUASALTI
CASTING ASSISTANT
ABDELHAK BARY
CATERING
MOULAY CATRING
CAR RENTAL
S’CAR MAROC
ECLIPSE CAR
EQUIPMENT RENTAL
MOROCCO CINE PRODUCTION
GROUPMAN
MUSTAPHA DEHHAJ
MATERIAL TRUCK
MOHAMED DEHHAJ
CAMERA VAN
SOMACS TRANS
TRANSPORT
DILIGENCE TOURE
---------------------------------------------------
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PROVISOUND AMAZIGH
HICHAM ET HANANE - BOUTAYRI ZOD AZZAN
اغنية , امازيغية
#provisound#Tachlhit#Tamazight
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La langue amazighe, connue sous le nom de tamazight, est devenue une langue officielle en 2011. Ayant été préservée dans les enclaves amazighes, elle est parlée par environ un tiers de la population. De nombreux Imazighen parlent également l'arabe et le tamazight est enseigné dans les écoles. Le français est une langue secondaire importante et l'espagnol est largement parlé. Anglais…