እናትዋ ጎንደር ሙሉ የሙዚቃው ግጥም
በባልቴት ውበት ሁሌም ወይዘሪት
ማይነጥፍ ጅረት ጎህ ለነፃነት
ፈጣሪ ጦቢያን ሲከልላት
የምሰሶዋን ስም ጎንደር አላት
እንዳለች አለች ታተይ ሙሽሪት
ሒያጅና መጭን እንደታዘበች
እስኪ እህህ ልበል ጥቂት ባንች ቦታ
ታንጀትሽ ላይ ሆኘ ኸልብሽ በአንድ አፍታ
እንዴት ነው አዘዞ ጮማ በልቶ ጠጅ
ታንች የሚያደርሰኝ መግደርደርሽ እንጅ
የአባት የማረጉን ወግ ወጉን አዳብላ
አሳድጋኛለች እሹሩሩ ብላ
የምድር መዳኛው ታጠነ አርባራቱ
መሥዋአት አቅርቡ ስለት ለታቦቱ
ሴት አረሆ
አረ በፈጠረህ አረ እንዴው በሞቴ
እስኪ ተወኝ ባክህ ላታፅናናኝ እቴ
ይልቅስ ውሰደኝ ካለበት እትብቴ
መፅናኛየ እሷ ናት ልሒድ ወደ እናቴ
የዋልያ ቀንዱን መሥሎ ሹርባዋ
ሰልመም ብላ መጣች አረግ እናትዋ
ልቧም ካልፈቀደ ደስም ካላላት
በካሳ አትጨክንም በፋሲል በላት
በጎንደሮች መዳፍ ስጎርስ እዛም እዛም
ተመልሼ መጣሁ በእጄም ሳልጠቀም
ክፋ እስለምደሽኝ ጮማና ወርች
እናና ተጎዳሁ እኔ ስርቅ ካንች
የበሽታን ነገር ለሐኪም ይሰጡታል
የአጋንንትን ነገር ፀበል ይገቡታል
የጎንደርን ናፍቆት እንዴት ያረጉታል
እነ ቴቴ ጉርሻ አረ እንደምናችሁ
እነ ዋዋ ጉርሻ አረ እንደምናችሁ
ጉብ ጉብ አለብኝ አፈር ልብላላችሁ
የመሣፍንቱ እናት እቴቴ ማንአህሎሽ
ጉድ ጉድ በይልኝ ጥምቀት መጣሁልሽ
እንደ ህማማቱ የአንችው ፆመኛሽ
በባዶ እግሬ እምብርክክ የምሳለምሽ
መሠንቆ ተናገር ጀግንነቱን አውራ
አርግፎ የሚጥል ተሰማይ አሞራ
ድንበር ጠባቂ ነው በጠላቱ አይሞትም
መሣሪያው ደም መላሽ እንደ ታናሽ ወንድም

======================================

ድምፃዊ :- አስቻለው ፈጠነ (አርዲ)
ሙዚቃ ቅንብር :- እስራኤል መስፍን
ግጥም :- አስቻለው ፈጠነ አርዲ
የሴት አረሆ :- ጥሩወርቅ አየለ
ዜማ :- የህዝብና አስቻለው ፈጠነ አርዲ
መሰንቆ :- እንድሪስ ሐሰን
ክራር :- አስቻለው ፈጠነ አርዲ
ከበሮ :- ሀገረሰላም ሻፊ
አድማቂ :- መላኩ ታረቀኝ
ሲኒማቶግራፈር :- ፍስሀፅዮን ንብረት
ፕሮዳክሽን ዲዛይነር :- ሄለን ብዙነህ ( ቲና )
ፀሀፊና አዘጋጅና ፕሮዲዩሰር :- ሰውመሆን ይስማው
ሎካል ፕሮዲዩሰር :- ሀይሉ ፈንታሁን
ብርቧክስ ሪከርድስ

====================================

እናት ዓለም ጎንደር | Aschalew Fetene (Ardi) | New Ethiopian Music 2023 (Official Video) | SewMehon Films
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Film Burkinabe q1

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Some of the ladies are relieved when Rosalia's time in the house comes to an end after spending one-on-one time with Pastor Jeff.

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Mickey helps his scooter woo the bike of his dreams after seeing her on the streets of Rome.

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NIGERIA’S BOOMING ENTERTAINMENT INDUSTRY

Nigeria is known as the headquarters of Entertainment in Africa, this African country is probably well known for it’s movies than even oil, so many people don’t even know that Nigeria is an OPEC member, very rarely does an oil rich country become famous for anything other than oil, that industry would have to out sell oil and the Nigerian entertainment industry has definitely been up to the challenge .Nigeria’s media and entertainment industry, “Nollywood,” originated in 1992. It is currently the second most prolific film industry in the world. It is a globally recognized brand for practitioners in film, including script writing, directing, sound, acting, cinematography, make-up, and editing. The industry is located throughout several major production centers like Lagos, Onitsha, Enugu, Asaba, and Abuja. Nollywood was valued at $3.6 billion in 2016 and is projected to be worth $6.4 billion by 2021. The music sector also recorded significant growth over the years.
THE WORTH OF NOLLYWOOD
According to PwC Global Entertainment and Media Outlook for 2020-2024, Nigeria’s media and entertainment industry is one of the fastest growing creative industries in the world. It has the potential to become the country’s greatest export, with projected annual growth rate of 8.6% and a compound annual growth rate or CAGR of 19.3% from 2018-2023. PwC indicates that in 2021, Nigeria’s film industry contributed 2.3% and about 239 billion naira or $660 million to GDP and projects that the industry will increase its export revenue earnings to over $1 billion. The motion picture and music recording industry exceeded 2020 projected $806 million revenue contributing about 730 billion naira $1.8 billion to the country’s GDP.

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Strongest Economies InAfrica: https://www.youtube.com/watch?v=Uf1mBofKwfE

How Morocco Secretly Rules The World: https://youtu.be/BX6HuiQb49A

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The United State is putting pressure on Rwandan President Paul Kagame, calling into question his third term in office bid.

U.S. Ambassador to the United Nations Samantha Power said the United States expected Rwandan President to set an example for the region and step down at the end of his second term in office next year.

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A domestic worker worries about her missing son as she cares for her employer's children.


UMAMA is used with permission from Talia Smith. Learn more at https://umamafilm.com.


Sibongile is a domestic worker in South Africa, who watches over her employer's little girl and maintains their home during the day while trying to stay connected with her teenage son, and has promised to celebrate her son's academic achievements.

Her son, though, has troubles of his own. When he goes missing, Sibongile has no choice but to go to work, fulfilling her job duties as she worries about her son's disappearance.

Written and directed by Talia Smith and inspired by real events, this intensely personal and intimate short drama is not just a snapshot of contemporary South Africa and the complicated nature of domestic work, but a tribute to the act of mothering itself, wherever it is called for.

Smith mined memories of her own "second mother" in her South African childhood, a woman named Susan who also lost her son while working for Smith's family. As a result, the writing and storytelling have a closeness of detail and a deep interest in character that gives the film remarkable tenderness and empathy. The narrative fleshes out both halves of Sibongile's "two families," including both the son she empowers by providing for his education, and the little girl she nurtures and encourages as part of her job.

Both of these wells of affection are complicated by the many layers that Sibongile experiences as part of this work: she provides for her son, but she cannot see him as much as she wants, and her affection for her charge is genuine, but also is complicated by the class disparities that are in part a legacy of apartheid.

Often very emotionally intimate and socially observant work can be on the more meditative side, but the craftsmanship is deft. Winning Gold at the Student Academy Awards, the film is full of indelible images but also dynamic, even muscular camerawork that offers thriller-like sequences, capturing the lively but impoverished and volatile milieu that Sibongile and her son live in.

These sequences are almost so compelling that they almost seem to run away with the film, but the storytelling always returns to the grounded, palpable heart of Sibongile, played in a remarkably full and rich performance by South African star Connie Chiume, who beautifully illuminates Sibongile's many layers -- some of which pull at her loyalties.

UMAMA ends on a note both heartwrenching and heartwarming for both viewers and Sibongile. It illustrates the powerful emotional labor that makes up much of mothering, full of nurturing, presence and attention. It is also the hard work and sacrifice that Sibongile goes through to give her son what she never had, thanks to the historical and economic legacies of apartheid. Both sides of Sibongile's mothering have their joys and sorrows, made bittersweet by the fact that they are inseparable.

Jahringo & badinyaa & ENC & benjamin &..........