Malawiam Movie

"The Last Fishing Boat" a film by Shemu Joyah, is about the clash of cultures when a white tourist makes sexual overtures to a Malawian woman who is the third wife of an illiterate but highly proud fisherman.

Above: Richard finds Biti bathing in the lake.

Purple Field Productions are proud to announce we are producing a Chichewa version of this drama first made in Kenya 2017. It tackles the stigma often found attached to those individuals and families living with disability.

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Full length drama for young people in Malawi tackling the issues of social stigma and protection from HIV AIDS. This film has been particularly useful for schools, youth clubs & community centres. Teachers and facilitators have really appreciated the way the film approaches a difficult subject and encourages lively positive debate. Film drama really can make a difference to communities.

I'm uploading this movie for my friend's in malawi who just begun their own career as actors


When the Dog hits back - Malawian Movie


Produced by Kay Sam
promotion by kãrmah Çlassiqué

Maphatso series yidajambulidwa ndi akatswili a Rumic Movies, cholinga chathu ndikusangalatsa, kudziwitsa ndi kuphuzitsa. please like and subscribe our channel for series.

Written and Directed by Aaron Mhone

Directed by : Kaouther Ben Hania
Produced by : Sister Productions
Genre: Fiction - Runtime: 1 h 30 min
Production year: 2013

Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women’s buttocks. They call him Challat, aka “The Blade”, and the mere mention of his name provokes fascination and terror. Is he a lone criminal, a simple urban legend, or is this the work of a political group or religious fanatics?
10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and find the true Challat of Tunis…

More info: http://en.unifrance.org/movie/....36404/the-challat-of

The Season of Men (Arabic: موسم الرجال‎, translit. Maussim al-rijal,
French: La saison des hommes)

Directed by Moufida Tlatli
Produced by Mohamed Tlatli, Margaret Ménégoz, Dora Bouchoucha Fourati
Written by Moufida Tlatli, Nouri Bouzid
Cinematography: Youssef Ben Youssef

PLOT:
An 18-year-old on the island Djerba, Aïcha, is married to Said, who works in Tunis for much of the year. Before she can join him in Tunis, Said asks that she give him a son.[3] On the island Djerba, Aïcha lives under the rule of her mother-in-law, with a few other wives, while their husbands work elsewhere. Aïcha eventually gives birth to a son and is allowed to move to Tunis with her husband. However, her son Aziz has developmental problems and is likely autistic, which causes Saïd to reject him. Aïcha returns to Djerba, this time with her son Aziz and her two adult daughters. The film uses extended flashbacks between Aïcha and her young daughters living in Djerba prior to the birth of Aziz and then scenes in the present, where Aziz is about eight, just before she moves back to Djerba. The film ends with Aïcha and Aziz working together on the loom, making tapestries that Aïcha sells. The film ends with Aïcha's younger daughter Emna leaving, which Aïcha and Aziz live together in Djerba.

CAST:
Rabia Ben Abdallah as Aicha (as Rabiaa Ben Abdallah)
Sabah Bouzouita as Zeineb
Ghalia Benali as Meriem (as Ghalla Ben Ali)
Hend Sabri as Emna
Ezzedine Gannoun as Said (as Ezzedine Guennoun)
Mouna Noureddine as Matriarch
Azza Baaziz as Meriem as a child
Lilia Falkat as Emna as a child
Adel Hergal as Aziz
Houyem Rassaa as Zohra
Kaouther Bel Haj Ali as Fatma
Néjib Belkadhi as Sami
Jamal Madani as Younes
Sadok Boutouria as Am Ali
Zakia Ben Ayed as Regaya
Wajiha Jendoubi as Salwa

Release date: 13 May 2000
Running time: 122 minutes
Countries: Tunisia, France
Languages: Tunisian Arabic, French with English Subtitles

#Lasaisondeshommes #MoufidaTlatli #ArabicCinema #WomeninCinema

In Arabic with English subtitles

Credits go to production by: Canal Horizon
Cinétéléfilms
Mat Films

Director: Moufida Tlatli

Monetized by: Canal Horizon
Cinétéléfilms
Mat Films

Download and Stream the full movie at www.africanfilmlibrary.com

Fred, a photographer, has arrived in Tunisia to do a story on the Bezness. The Bezness are young gigolos of all ages who sell their bodies to tourists. Out of place in a world where the image is regarded as a violation and its very representation taboo, Fred finds protection from Roufa.

One of the most acclaimed shorts of recent memory—a 2020 Oscar nominee, and a Shorts Award Winner. Mohamed is a shepherd in rural Tunisia with his wife and two young sons. Their world is shaken when the oldest son returns after a long journey with a mysterious woman he says is his wife.

A selection of Short of the Week, the web's leading curators of quality short films.

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FULL REVIEW: https://www.shortoftheweek.com..../2019/10/02/ikhwene-

BROTHERHOOD (Ikhwène)
Written and Directed by Meryam Joobeur
Midi La Nuit, Cinetelefilms, Travelling Distribution
https://www.facebook.com/BrotherhoodShortFilm/

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"I do not fault the detractors and skeptics who proclaim that "Brotherhood" should be dismissed as merely representing this year’s archetypal festival drama—a pejorative term to some that indicates the kind of serious short film that confuses dourness with profundity, and is best understood as some young director’s try-hard bid to get their government film board to pony up for their feature debut. Let’s review the case: set in a locale exotic to the majority of elite fest-going cinephiles? Check. Tense and explosive family dynamics? Check. Gorgeous, yet restrained, cinematography? Check. Oh, and a sometimes languorous 25min runtime? Double-check! As a defense however to those critics and haters—watch the film. You’re wrong. Watch the film again.

While "Brotherhood" exhibits the trappings of a type of film that we often deride as “festivally”, it is really hard in my mind to contest its exquisiteness. It is highly specific in its character and world-building, buoyed by the authenticity of its writer/director, Meryam Joobeur, whom is of Tunisian descent, and by the capable performances of its first-time actors (their casting, central to conception of the film, is recounted here). As pure drama, the film delivers, inculcating mystery early on, then building to a devastatingly emotional climax. Finally, in theme, it pulls off the nice trick of being both topical and timeless: confronting complex contemporary issues, like religious extremism, with the tried and true spirit of a Greek tragedy.

Filmmakers have made hay for generations in porting the classics to film, from works as different as Laurence Olivier’s seminal Shakespeare adaptations to Clueless. Brotherhood is not an adaptation, but it is working with the same raw materials as Sophocles and Seneca—the defiance of one’s father, questions of honor, the inability to communicate with loved ones through the haze of anger, and, ultimately, betrayal...

... Continue reading the entire review here: https://www.shortoftheweek.com..../2019/10/02/ikhwene- "
-S/W Curator Jason Sondhi

CREDITS:

CAST
Salha: Salha Nasraoui
Mohamed: Mohammed Houcine Grayaa
Malek: Malek Mechergui
Chaker: Chaker Mechergui
Rayene: Rayene Mechergui
Reem: Jasmin Yazid

CREW
Written and Directed by Meryam Joobeur
Production: Habib Attia (Tunisia/Cinetelefilms), Sarra Ben-Hassen, Maria Gracia Turgeon, Annick Blanc (Canada/Midi la Nuit), Meryam Joobeur,
Co-Production: Andréas Rocksen (Sweden/Laika Films & TV), Doha Institute (Qatar)
Director: Meryam Joobeur
Screenplay: Meryam Joobeur
DoP: Vincent Gonneville
Art Director: Valérie-Jeanne Mathieu
Editor: Anouk Deschênes
Sound: Théo Porcet, Jean-David Perron, Aymen Laabidi, Cult Nation
Music: Peter Venne

Reproduced on this channel with the permission of the filmmakers.

One day, when Sabah least expects it, she falls in love with the wrong man. She's Muslim, he's not. Unbeknownst to her family, she goes on a whirlwind affair before both culture and love collide.

Jesus Film - For Love And Hope

www.waytoeternal.blogspot.com
www.jalanallah.com

Screen can reveal the first trailer for Tunisian director Youssef Chebbi’s edgy police thriller 'Ashkal' ahead of its world premiere in Cannes Directors’ Fortnight.

The drama unfolds against the backdrop of an unfinished new neighbourhood called the Gardens Of Carthage on the outskirts of Tunis, the construction of which stalled due to the 2011 revolution.

As building work starts up, a series of badly burned bodies start turning up on the site. Local police officers Fatma and Batal are assigned to investigate.