If you like this video, consider supporting the musicians and Remix ⟷ Culture by purchasing the album (digital download) and/or a limited edition 12" vinyl:

https://remixculture.bandcamp.....com/album/innov-gnaw

We normally like to include translation subtitles. But in this case, Toura Toura is untranslatable. It is sung in “Bambara" which, in Moroccan Gnawa culture, has evolved to be a mixture of several sub-Saharan African languages, but is presently spoken or understood by no-one.

In present-day Mali, there are about 15 million people who speak “Bambara”, but they speak a very different Bambara than the one that we find in Moroccan Gnawa songs. In the early days of Gnawa, i.e. the early days of slavery in Morocco, slaves would find ways to sing songs in their native language in locations where they might be heard by a relative or loved one, from whom they’ve been separated, in hopes of reuniting with them. The Amazigh (indigenous) and Arab populations of Morocco didn’t understand these languages. The Amazigh word for “gibberish” or “unintelligible” is “agnaw” (singular) “gnawa” (plural). This is the commonly accepted story of how the term first came in use. Over time, these different ‘unintelligible’ songs fused more and more into one shared history - one of forced displacement and spiritual yearning. There came a time when the song lyrics became completely unintelligible to the Gnawa musicians who inherited them via the oral tradition. That mostly unintelligible hodgepodge of a language is what Gnawa refer to as “Bambara”. For decades, possibly centuries, Gnawa musicians sang in Bambara, understanding less and less of the literal meaning of the words. But as Gnawa musicians became more and more integrated into a Moroccan society which identified more and more as Arab and Muslim, they evolved more and more into a Muslim (Sufi) order. Eventually (in the 20th century), Gnawa musicians began to replace more and more of the song lyrics with Arabic / Sufi devotional lyrics.

Having said that, we can provide a glimpse into the spirit of Toura Toura, in addition to what is already transmitted simply by listening to the music itself.

All Gnawa music has a role to fulfill in the healing ritual called the “Lila” which means “Night” in Arabic. A “lila” can last for more than 12 hours, and is usually conducted in intimate gatherings, for the purpose of creating a safe place for people to get into a trance and be healed by the music. A woman serves as a presenter (or M.C.) - she is called the “Mqedma” - which means "she who presents." A man serves as spiritual guide (through music) - he is called the “m3allem” or “master” and sings lead vocals while playing the guembri (or sintir, or hajhouj, or gogo, depending on where you are). Several other men play the rhythm section (with qraqeb) and sing the ‘responses’. The lila usually follows the following format:

1) DbiHa (sacrificing a lamb) - like in the Muslim “3id”, this is a commemoration of the biblical story when Abraham was tested by God to sacrifice his own son.

2) Al 3ada (the habit) - an opening that consecrates the space - usually starting with a drum procession and some acrobatics. This welcomes the spirits into the space.

3) Ouled Bambara (the sons of Bambara) - before diving into the world of spirits, there is a profane section of the evening, to loosen things up. Today, this is where you’ll find most of the songs sung in Bambara.

Toura Toura falls in this section - so it is light-hearted, meant to be a warm-up song, to get you in a joyful mood before the more intense world of trance comes around.

4) The 7 colors (each corresponding to a different spirit)

The “Mqedma” signals the beginning of each color by coming out in a different dress (matching the spirit color) - the musicians play several songs (sometimes hours) for each of the colors:

• White (truth, belief, happiness)
• Black (mystery, paradoxical power - secrecy / protection)
• Light Blue (skies, calming, elevation)
• Red (fire, passion, love)
• Dark blue (the sea, depth, fluidity)
• Green (nature’s healing power, rejuvenation)
• Saffron (feminine energy, fertility)

- - - - - - - - - - - - - - - -

For more on the Gnawa lila, check out these articles:
• http://www.sonispheric.net/the...._gnawa_and_their_lil
• http://www.lilagnaoua.com/En/history.html

For a more in-depth explanation of the gnawa history and context, check out this great article:
• http://www.afropop.org/9305/fe....ature-gnawa-music-of

استمع على جميع المنصات
https://MohamedAdly.lnk.to/MoroccoILoveYouID

إشترك في قناة محمد عدلي الرسمية
https:///bit.ly/MohamedAdlyYT

ADLY - Morocco I Love You (EXCLUSIVE Music Video) | 2022

Lyrics & Composition : Mohamed ADLY
Arranged by: HICHAM KHATIR
Mixing & Mastering: HKS

Directed by: REC media48

Original Song : CARIÑO (ADLY)

Managment & Booking
ADLY.MANAGER@GMAIL.COM

توزيع ديجيتال : قنوات ميوزيك
______
Lyrics | كلمات الأغنية

محفور m'gravé حبك في قلبي
راية بلادنا في العالم تدور
منتخبنا من بكري مشهور
واحنا فيه تايقين
رانا جايين عندنا
Rendez-vous
أسود الأطلس مطلعين
Niveau
كبار وغار هازين
Tifo
معانا رب العالمين

Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
Ya BLADI I LOVE YOU
Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
المغرب I LOVE YOU

فرقتنا واعرة و تاريخها كبير
ان شاء الله مربوحة و اللي يصير يصير
يا الميمة ادعي دعوة الخير
يا ربي آمين.. آمين

Viva Morocco .. Allez Allez Allez
راية بلادني ديما في العالي
حمرا و خضرا ديما في بالي
شايعين Les marocains

Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
Ya BLADI I LOVE YOU
Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
المغرب I LOVE YOU

كلنا مغاربة و رؤوسنا مرفوعة
وليدات بلادنا في
Terrain
سبوعة
جماهيرنا ديما مجموعة
ليكوم مساندين
و لالالالا لالالالالا
إن شاء الله رابحين المقبالة
يالله يا لولاد نوضوا البلبالة
فرحوا الغاربة كاملين

Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
Ya BLADI I LOVE YOU
Ohohohohooo hohohoho
Te quiero mucho MOROCCO
Ohohohohooo hohohoho
المغرب I LOVE YOU

MOROCCO
ـــــــــــــ
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Twitter | https://twitter.com/AdlyMohamad Official
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#adly
#MoroccoIloveyou
#fifaworldcup2022

we love everything about this video: the dance, the precision, the moves, it's 100 for us!

#afrohouse #kuduro #angola #letsconex #afroconex

https://www.afroconex.online

Produção - Mr Ex Boyfriend
Letra e Voz - Gerilson Insrael.
Directed By Alex Alves


SIGA / FOLLOW GERILSON INSRAEL
Facebook: https://www.facebook.com/GerilsoninsraelOfficial/
Twitter: http://www.twitter.com/gerilsoninsrael
Instagram: http://www.instagram.com/gerilson_insrael
YouTube: http://www.youtube.com/gerilsoninsrael
(C) 2019 XB LABEL

Instagram: @williambrunowb
Snapchat: @elbartender9

Obrigado / Merci / Thank You / Gracias / Spasibo / Tack så mycket.

#angola #jahbouks #angolaboss

http://vevo.ly/Rscgb8

The new kriolu version of « Karma » (Cap-Verdean creole) : https://LisandroCuxi.lnk.to/karmakriolu

Follow Lisandro Cuxi :
- Instagram: https://www.instagram.com/lisandrocuxi/
- TikTok : https://www.tiktok.com/@lisandrocuxii
- Twitter: https://twitter.com/LisandroCu....xi?ref_src=twsrc%5Eg

Lyrics : Lisandro Cuxi, ÉLLÀH
Composers : Lisandro Cuxi, Aznar Zahora, Wilson Silva, Cristovao Lutete, Elji Beatzkilla, Jorge Almeida

Director : @Rodtaumata
MUA : @Jacira_makeup

#LisandroCuxi #Karma #Kriolu

Clip "Kapota" de la Superstar Angolaise NOITE e DIA.
ExcluAfrik la chaine Numéro 1 des exclusivités Africaines.
Nos contacts...
📞🇨🇮+22507650176/+22565187471/📞🇫🇷+337 58 31 59 22
🔵en ✏INBOX au lien suivant https://goo.gl/8Pzdey
🔵 📧MAIL "excluafrik@gmail.com"

Music video by Anna Joyce performing "Puro"

Realização Vídeo: DJ Marcell

Letra e música - Anna Joyce
Produção - Anna Joyce, Davince “Next Stage” , Max e Tino
Guitarras - Max
Baixo - Tino Carlos
Captação - Next Stage Studio
Mistura - Xano
Masterização - Carlos Juvandes

Follow Anna Joyce:
Instagram - https://www.instagram.com/annajoyce___/
Facebook - https://web.facebook.com/annajoycemusic/

BOOKING/MANAGEMENT:
(+244) 939 170 003
(+244) 939 170 004
booking@lsrepublicano.com

“Puro” - nova música de Anna Joyce JÁ DISPONÍVEL no Kisom @unitelangola 👏
Envia “Kisom” para o 19141. Não gastas saldo de net.
Toque de Espera Unitel também disponível. Envia “9843553” para o 19121 e faz dançar quem te liga.

© 2020 LS & Republicano. Todos os direitos reservados.

#ANNAJOYCE #PURO #LSREPUBLICANO

Matias Damásio - Amar Angola

Eu amo a minha Angola,
Terra minha mãe e por ela juro vou trabalhar,
Eu amo a minha Angola,
Terra minha mãe e por ela juro vou lutar.

Angola Wéi, nós os teus filhos estamos unidos para erguer nosso país, Mama We ́i nossa terra é linda, tem vários minérios e terra fértil
Mama Wéi, mas a maior riqueza é o nosso povo é o nosso povo.
Povo de Glórias, povo de vitórias, oh mãe mãe maié.

Viemos de longe o caminho é longo, mas com a união chegaremos lá́. Ye ee yeeee yeeee ó angolê nossa terra nossa mãe.
Acreditamos no nosso país, nossa nação, nosso povo,
O futuro será́ melhor, dá-me a tua mão vamos fazer a nação.

Refrão
Eu amo a minha Angola,
Terra minha mãe e por ela juro vou trabalhar,
Eu amo a minha Angola,
Terra minha mãe e por ela juro vou lutar.

Carpinteiro e pedreiro, professor e engenheiro,
Trabalhar para o país seguir em frente.
Camponês e sapateiro, policia e bombeiro,
Trabalhar para o pais seguir em frente.

Mama quitandeira, taxista e peixeira,
Trabalhar para o país crescer,
Estudante, roboteiro, pescador e artista, o importante é servir a nação.
Acreditamos no nosso país, nossa nação, nosso povo,
O futuro será́ melhor, dá-me a tua mão vamos fazer a nação.


Refrão
Eu amo a minha Angola,
Terra minha mãe e por ela juro vou trabalhar,
Eu amo a minha Angola,
Terra minha mãe e por ela juro vou lutar.

Político, engenheiro, doutor e pastor
Trabalhar para o país seguir em frente.
Uelele uelele uelele, com a nossa Angola no coração,
Ulele uelele fortaleça a nação e faz Angola crescer.


Video:

Diretor : Kim Praise
Assistente de direção : Jessé Manuel
Produtor : Naralbiza
Direção de arte : Jessé Manuel
Edição : Kim praise
Finalização : Kim praise e Jessé Manuel

Música:

Letra e música: Matias demasio
Produção: Mestre Fredy
Co-produção e arranjos : Miguel Tapadas
Percussões, arranjo para orquestra, programações e piano:
Percussões, arranjo para orquestra, programações e piano: Miguel Tapadas
Violino: António Barbosa
Violino: António Figueiredo
Viola: Ricardo Mateus
Violoncelo: Emídio Coutinho
Contrabaixo: João Panta Nunes
Captação Atlantico Blue Studios por André Tavares
Mistura e masterização: André Tavares

BOOKING MANAGEMENT:
Ritmo Music: +351 936 794 917 +244 939 300 001

Segue Matias Damásio nas redes sociais:
Instagram: www.instagram.com/matias_damasio_oficial/
Facebook: www.facebook.com/matiasdamasiooficial

Gerilson Insrael - Minha Bêbeda

Vidisco nas redes:

Facebook: https://www.facebook.com/vidisco
Instagram:https://instagram.com/vidiscomusic
SoundCloud: https://soundcloud.com/vidisco
Beatport: https://pro.beatport.com/label/vidisc...

Copyright © 2018 Vidisco
Site: www.vidisco.pt

In support of the People's Movement for the Liberation of Angola (MPLA), this song names leaders of other Angolan nationalist factions (UNITA, FNLA)
Daniel Chipenda - National Liberation Front of Angola (FNLA)
Holden Roberto - National Liberation Front of Angola (FNLA)
Jonas Savimbi - National Union for the Total Independence of Angola (UNITA)

Help the Vandistan server grow!
https://discord.gg/qAC8nU6EJj

Music Video by Cesaria Evora performing "Angola" - remastered version - (P) 1992 & 2012 Lusafrica.

iTunes: https://itunes.apple.com/us/al....bum/miss-perfumado-2
Facebook: https://www.facebook.com/CesariaEvoraOfficial

From album "Miss Perfumado (20th Anniversary Edition)" released on 29 October 2012.
Remastered version of the original album "Miss Perfumado" released on 21 October 1992 (P) 1992 Lusafrica & (C) 1992 Lusafrica.
iTunes: https://itunes.apple.com/us/al....bum/miss-perfumado/i

Tracklist: Homem do saco, Ukada, Roca de jindungo, Bunguleiros, Mariquinha, Kambua, Mulemba Xangola, Tonokenu, Acacias feridas, Diakandumba, Kanjonja, Recordando Pio, Ai ue mama, Boto boto, Fukula,Sambila, Ku tando

José Adelino Barceló de Carvalho (born 5 September 1942 in Kipiri, Angola), better known as Bonga, is a folk and semba singer and songwriter from Angola.

José Adelino Barceló de Carvalho was born in the province of Bengo, and left Angola when he was 23 years old to become an athlete, becoming the Portuguese record holder for the 400 metres (Angola was at the time one of Portugal's five African colonies). He had already begun his singing career at the age of 15.

Carvalho abandoned athletics in 1972, concentrating solely on his music, and immediately became famous in his native Angola, as well as in Portugal. After the Carnation Revolution in April 1974, he would become a hit both with immigrants from the ex-Portuguese colonies, and Portuguese of both African and European descent. He has released over 30 albums, singing in Portuguese and traditional Angolan languages. His tracks are a mixture of Portuguese folk sounds, semba, kizomba and latin elements.

While Angola was still a Portuguese colony, Bonga was an outspoken supporter of independence. This led him to be exiled from Angola in the early 1970s.

At this time, Portugal was ruled by the authoritarian and conservative Estado Novo regime government, founded by Salazar. Barceló de Carvalho's status as a Portuguese star athlete allowed him the rare freedom of movement, which he used - under the name of Bonga Kuenda - to carry messages between exiled pro-independence African fighters and compatriots still in Angola. When the Portuguese government and its political police (P.I.D.E.) realised Bonga Kuenda and Barceló de Carvalho were the same man, Bonga was forced into exile in Rotterdam, where, in 1972, he definitively adopted the name Bonga and recorded his first record, Angola 72. His iconic track "Mona Ki Ngi Xica", which would feature on the soundtrack of Cédric Klapisch's 1996 film When the Cat's Away (Chacun cherche son chat), was introduced on this album. A warrant for his arrest was issued in Angola for the seditious lyrics of the album, forcing him to move nomadically between Germany, Belgium and France until Angola's independence from Portugal in 1975, brought about by the events of the Carnation Revolution. While in Europe, Bonga met other Portuguese-speaking musicians and adapted the sounds of semba to his already diverse music style.

After independence, the new Angolan government took Angola's best solo acts and founded and supported an orchestra called "Semba Tropical". The purpose was to revive the lost music industry, as described by a People's Republic of Angola ministry spokesman during the band's tour in Europe in the mid-1980s: "We had great problems because of the war for independence. When the Portuguese left they dismantled some of the basic structure by smashing and sabotaging equipment and we had to start from scratch. After independence there were no bands at all. Those which were formed were not active because they had no instruments." As it was the case under Portugal's colonial rule, only a tiny minority of Angolans (1%) were allowed to get an education. Thus, the newly independent country, with relatively good infrastructure, and blessed with rich natural resources, was in fact badly mismanaged and plagued by corruption and failed central planning for several decades after independence from Portugal.

After Angola's independence Bonga lived for some time in Paris and Angola, before establishing his main residence in Lisbon. As post-colonial life in Angola disintegrated into corruption, squalor, brutality, and an interminable and bloody civil war, Bonga remained critical of the political leaders on all sides. Bonga's voice of peace and conscience continues to make him a hero to the people of Angola no matter where he resides. He remains fiercely dedicated to the ideal of nonviolence, he states simply: "We must live without harming others."

Now aged 74, he publishes in 2016 his thirty-first album Recados de Fora (Messages from Elsewhere) which include 9 new songs including Tonokenu, plus the covers of Sodade Meu Bem Sodade, a composition of Zé do Norte already sung by Maria Bethânia or Nazaré Pereira, and Odji Maguado composed by the Capeverdean writer B. Leza and popularised by Cesaria Evora in her 1990 album, Distino di Belita.

Music video by Calema performing "Te Amo". © 2020 KlassziK.
🇦🇴🇧🇷🇲🇿🇵🇹🇨🇻🇬🇼🇸🇹🇹🇱

Follow: https://www.instagram.com/klasszik_
Download/Stream : https://calemateamo.lnk.to/DhKA8ZRzPR
Merchandise: https://moozika.pt/collections/klasszik

BOOKING
PT: +351 964 244 221
Inter: +33 620 300 321

AMO-TE - LETRA
Falhei contigo, eu assumo
Tu foste embora, eu entendo
Mas ficou tanto amor
Estou meio sem planos
preciso ouvir, ouvir que me queres
Sentir que ainda me queres
Que não foi desta que acabou
Todos falam de ti de como eu fui um bobo
Te perdi por tão pouco

Refrão:
Já nem sei mais, como tu estás
Tudo se foi, saudade, saudade, saudade bô,
Onde tu estás? Preciso te ouvir pra onde tu fores
Nga lêlê, Nga lêlê, Nga lêlê bô

Estou com receio que me falem que tens outro
Tu sabes que não vou aguentar se souber
Que mais alguém se colou a ti
Tu sabes que eu te amo
Não há espaço pra mais ninguém,
Eu não agi certo não agi, mas preciso de ti

Preciso ouvir, ouvir que me queres
Sentir que ainda me queres
Que não é desta que acabou
Todos falam de ti, de como eu fui um bobo
Que te perdi por tão pouco

Refrão:
Já nem sei mais, como tu estás
Tudo se foi, saudade, saudade, saudade bô,
Onde tu estás? Preciso te ouvir pra onde tu fores
Nga lêlê, Nga lêlê, Nga lêlê bô

Fidju femia
Sin ká odjau aós
Falam kuma kum podi odjau
Saudade na matam na matam dimas
Olha bem no meu olho
E diz que já não me queres mais
Que tu não tens saudades de me namorar

É Pedir demais
Que me ouças de novo
Que me abraces de novo
Só mais uma vez

É tão chato ouvir
De como fui um bobo
Que te perdi por tão pouco

Refrão
Já nem sei mais, como tu estás
Tudo se foi, saudade, saudade, saudade bô,
Onde tu estás? Preciso te ouvir pra onde tu fores
Nga lêlê, Nga lêlê, Nga lêlê bô

Malê
Eu Estou tão Malê
Não vou aguentar não
Volta só para mim

Malê
Eu estou tão Malê
Eu quero estar com o teu perdão
Volta só para mim



AMO-TE - LYRICS
I failed you, I assume
You left, I understand
But it got so much love
I'm kinda without plans
I need to hear, hear that you want me
Feel that you still want me
That this is not the end
Everyone talks about you how I was a fool
I lost you for so little

Chorus:
I don't even know anymore, how are you
Everything is gone, homesick, homesick, homesick, bô
Where are you? I need to hear you wherever you go
Nga lêlê, Nga lêlê, Nga lêlê bô

I'm afraid they'll tell me that you have another
You know I can't take it if I know
That someone else stuck to you
You know that I love you
There's no room for anyone else,
I didn't act right I didn't , but I need you

I need to hear, hear that you want me
Feel that you still want me
That this is not the end
Everyone talks about you, how I was a fool
That I lost you for so little

Chorus:
I don't even know anymore, how are you
Everything is gone, homesick, homesick, homesick, bô
Where are you? I need to hear you wherever you go
Nga lêlê, Nga lêlê, Nga lêlê bô

Fidju fêmea
Si un ca odjau aoz
Dadan cuma cum podi oiau
Sodade na matam na matam demas
Look me in the eye
And say you don't want me anymore
That you don't miss flirting me

It's too much to ask
That Hear me again
That Hold me again
Just one more time

It's so sad to hear
How I was a fool
That I lost you for so little

Chorus
I don't even know anymore, how are you
Everything is gone, homesick, homesick, homesick, bô
Where are you? I need to hear you wherever you go
Nga lêlê, Nga lêlê, Nga lêlê bô

Malê
I'm so malê
I can't take it
Come back just for me

Malê
I'm so Malê
I want to be with your forgiveness
Come back just for me


#Calema #Yellow #KlassziK

Music video by Anderson Mário, performing "Se Controla”.

MÚSICA:
Composição, Letra: ANDERSON MÁRIO
Instrumental, Captação: MR. NOBODY, pela INSPIRASOM
Mix & Master: MASTER MIND BY SHANO

VÍDEO:
Realização / Director / Direção de Fotografia: SININADA (YEYA STAR).
Produção / Production: 1TIME, Alice Julie.
Assistente de Direção e Realização: Aristoteles Kalombe Label e Sandro Ernesto.
Câmera 2, espelho: Luis Pedro.

Assistente de Produção e Coordenação: DJ Noturno, Anderson Mário.
Personagem participantes: Damásio Brothers, DJ Noturno, Oliveira Muandumba

STREAM / DOWNLOAD / OUVIR:
https://music.imusician.pro/a/pDyTO8vd/

Inscreva-se / Subscribe: https://www.youtube.com/c/AndersonMario

Siga / Follow:
IG: https://www.instagram.com/iamanderson...
FB: https://www.facebook.com/iamandersonm...
TW: https://twitter.com/andersonmarioof
TikTok: https://vm.tiktok.com/iamandersoander...

Reservas / Booking:
shows@andersonmario.com

Shop / Stream:
https://music.imusician.pro/a/4yJl__N...
https://open.spotify.com/album/2nDs4V...
https://music.imusician.pro/a/9qJJ09Y...

#afrobeat #kizomba

Argumento: Afro Digital
Realização, filmagem e edição: Johel Almeida
Produção: Micaela Miranda & Haroldo Correia
Gaffer/Assistente de direção: Silvio Moreira
Styling: Joka Casquinha
Atores: Danilson Francisco, Solange Hilario,
Joaquim Santos,
Filomena Ramos,
Fernanda XP

Agradecimentos: Westlake

(p) 2018 Arca Velha distribuido por Sony Music Portugal

🇦🇴🇧🇷🇲🇿🇵🇹🇨🇻🇬🇼🇸🇹🇹🇱

Follow: https://www.instagram.com/klasszik_

https://www.instagram.com/soraiaramoss
Booking: (+351) 935 432 602/ 960 303 726

LETRA

Já passou 1 mês mas nada mudou
Dou-te conselhos que ninguém te deu...
Sabes eu tenho tanto medo de te perder ..
Mas eu não sou a tua mãe ...
Quero um futuro que não podes dar ...
E sem futuro o amor não tem lugar ...(já tentei)
Tens que mudar a maneira de ser ...de ser..

Refrao :

ohhh eu vou mas a hora
De ir custa me porque eu sei que precisas de mim ...
Vai , não olhes para trás se olhares sabes que vais me doer ... podes abraçar me , podes abraçar me sabes que eu te quero muito
mas faz um esforço ....

2Verso :

Eu sei que lá no fundo és um homem bom
Com alegria e bondade no teu coração ..
Mas sabes tenho tanto medo de te perder...
Mas eu tenho que ir ...
Tu tens medo de viver sem mim ...
Mas o segredo é fazeres por ti ( eu sei bem)
tens uma força dentro de ti.. que não sabes .. que não sabes ....

Refrao :

ohhh eu vou mas a hora
De ir custa me porque eu sei que precisas de mim ...
Vai , não olhes para trás se olhares sabes que vai me doer ... podes abraçar me , podes abraçar me sabes que gosto de ti mas faz um esforço ....

Não quero envergonhar a minha mãe ..
Não quero envergonhar a minha mama
Ela diz sempre para eu te deixar ..
Ela diz que não és suficiente pra miiiiiim
Então repete comigo entao repete comigo só uma vez.... " vouuuuu mudaaaaaarrr"

Refrao :

ohhh eu vou mas a hora
De ir custa me porque eu sei que precisas de mim ...
Vai , não olhes para trás se olhares sabes que vai me doer ... podes abraçar me , podes abraçar me sabes que gosto de ti mas faz um esforço ....

#SoraiaRamos #Lisandro #BaiRemix

videoclip angola by djipson

█▬█ █ ▀█▀ ██▓▒░ ♫ Download on iTunes :
https://itunes.apple.com/pt/al....bum/eu-sei-single/14

É-KARGA MUSIC ENT. PRESENTS

BADOXA "EU SEI" [2018] By É-Karga Music Ent.


Produced by BADOXA / All Instruments by BADOXA / Lead & Background vocals by BADOXA / Recorded É-KARGA MUSIC STUDIOS / Mixed & Mastering by T. DOUMERGUE @ T-D STUDIO, PARIS / É-KARGA MUSIC ENT. © 2018 ALL RIGHTS RESERVED

FACEBOOK :
- https://www.facebook.com/E.Karga.Eventz.music/
- https://www.facebook.com/Badoxa.Official.Page/


Realização : Wilsoldiers
Direção de fotografia : Wilsoldiers
Iluminação : Gerson Branco
Assistente iluminação : Biggs Costa
Tratamento de imagem : Gerson Branco
Maquilhagem : Cátia Oliveira
Special thanks : Carneirinho's Boat Trips


MANAGEMENT & BOOKING :

Email : ekargaeventz@gmail.com
Tel : (+351) 963149617

#Badoxa #EkargaMusic #Portugal